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Danny and I are aware of dynamics and we instinctually utilize them when we're playing together. Electric Blue documents that same empathetic spirit between the two players. Whenever we get together, just drums and bass, it always seems to have a complete musical sense to it.
We know each other's playing so well that if one of us plays one note or a certain phrase the other one's right on it and can either complement it or lead it into a new place. It was so much fun recording creative music in the studio as a duo. We then added a groove fretted bass line, a fretted bass comping bass part, then a soloing fretless bass.
The form was derived from the Fibonacci Sequence also known as the Golden ratio, a special number approximately equal to 1. By taking the total number of measures and multiplying by the golden ratio and repeating that process several times, we came up with different sections where we placed the chord changes.
We thought it would be a good vehicle for improvisation and have always enjoyed playing it as a duo. An additional fretless solo bass part was overdubbed. Danny overdubbed two tracks of shakers. Please enable JavaScript in your browser to use the site fully. Blues Classical Country.
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From Wikipedia, the free encyclopedia. We thought it would be a good vehicle for improvisation and have always enjoyed playing it as a duo. Tripping Tree. New Album) Grove's Dictionaries Inc. Jazz Latin New Age. Musicians at times forget about using dynamics in their own playing wether it be soloing or grooving. AllMusic relies heavily on JavaScript. Features Interviews Lists.
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