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Return Policy. Order Items by Catalog. View Catalogs Online. Safe Shopping Guarantee. Buy a Gift Certificate. Customer Reviews. Contact Info. Privacy Policy. Send Feedback. Forgot Password? Allegro moderato. Schubert: Die Forelle, D Emanuel Ax piano , Barbara Bonney soprano. Andante - Allegro vivace. Adagio - Allegro vivace. Yo-Yo Ma cello , Emanuel Ax piano. Vivace non troppo. Brahms: Piano Quartet No. Allegro ma non troppo.

Allegro comodo. Brahms: Cello Sonata No. Allegro non troppo. Allegretto quasi menuetto. Adagio affettuoso. Allegro passionato. Allegro molto. Brahms: Violin Sonata No. Un poco presto e con sentimento. Presto agitato. Adagio ma non troppo. She also reminds us that, with enough preparation, a fine artist can make the most challenging material come across with the ease of natural breathing.

Despite the fact that the cello is a solo instrument, only five of the 36 total movements in the six suites are based on a simple melodic line. All the others assume the player can manage to play in harmony and counterpoint with her or himself.

The music can be played in strict, Modern time, or it can be given a sort of flexible inner rhythm like that of walking or breathing. The distance between these two poles is nearly infinite, with the most widely loved interpretations being the fairly strict takes offered by great cellists such as Yo Yo Ma and, today, Jean-Guihen Queyras on modern instruments.

Is one better or worse than the other? Mercer achieves this same effortless quality. Bach set the narrative in each six-movement suite like the ideal story, interweaving tighter, faster sections with slower, more reflective music. Mercer colors in the textures, while subtly reminding us of the thematic threads that link each movement. Here is one more album with a compelling argument that the stern-faced Bach was as human as the rest of us — just a lot more clever.

Rachel Mercer. The fifth suite's Prelude replaces the toccata-like movements of the rest of the set with an overture in the French style, beginning with a slow, moody Adagio introduction with dense chords and irregular rhythms. These lead into an Allegro section where a fugue-like counterpoint is implied but not explicitly played. The Allemande and Courante have a mournfulness reminiscent of their counterparts in the second suite, but feature richer, denser chording.

But as much as Bach explores the contrapuntal possibilities of the cello here, his truly sublime achievement is the Sarabande. It offers some notes of one-voice, single-line playing, with no chords and an unchanging rhythmic pattern. And yet its mix of great leaps and leading tones convey a lifetime of sorrow and wisdom. The harmonic structure is haunting, providing one point of tension after another with little resolution until the very end. The Gavotte galanterie is chordal and anguished again despite its name, but the final Gigue closes on a much more ambiguous, hushed note than does its D minor relative.

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Complete Excerpt. Alisa Weilerstein. PentaTone Classics. Johnny Gandelsman. Tanja Tetzlaff. Bach in Bologna. Mauro Valli. Bach: Cello Suites.

Richard Tunnicliffe. Linn Records. Bach: The Cello Suites. Alban Gerhardt. Bach: The Six Cello Suites []. Jiri Barta. Animal Music. Rachel Podger. Channel Classics. Roberto Loreggian. Brilliant Classics. Emmanuelle Bertrand. Harmonia Mundi. Tilman Hoppstock. Lawo Classics. Bach: Six Suites for Viola Solo. Kim Kashkashian. Marianne Dumas. Sigiswald Kuijken. Six Evolutions: Bach Cello Suites. Yo-Yo Ma. Sony Classical. Julius Berger. Pierre Fournier. Archiv Produktion.

Bach: 6 Suites for Cello Solo [ Recording]. Pieter Wispelwey. Bach: Cello Suites, Vol. Slava Grigoryan. ABC Classics. Niklas Schmidt. Fontenay Classics. Bach: Solo Works for Marimba. Kuniko Kato. Heinrich Schiff. Bach: 6 Suites for Cello Solo. Bach: Cello Suites [].

Sung-Won Yang. Thomas Demenga. Richard Narroway. Sono Luminus. Archiv Produktion: Analogue Recordings, Bruno Cocset. Bach arr. Valter Despalj : The Cello Suites. Petrit Ceku. Deutsche Grammophon. Bach on the Ten-String Guitar. Carol Adee. Well-Tempered Productions. David Watkin.

Resonus Classics. Isang Enders. Berlin Classics. Inbal Segev. Bach: Suites for Solo Cello. Philip Higham. Veronika Wilhelm. Duo Recital Laurence Lesser. Matt Haimovitz. Alexandre Debrus. Alfia Nakipbekova. Cameo Classics. Mayke Rademakers. Challenge Classics. Sony Classics. Jan Sciffer. Bach: 6 Suites a Violoncello Solo senza Basso. Kivie Cahn-Lipman. Bach: Cello-Suiten. Mstislav Rostropovich. Warner Classics.

Bach: Six suites for violoncello solo, BWV Claus Kanngiesser. Rachel Mercer. Nina Kotova. Bach: The Six Cello Suites. Viola de Hoog. Geringas Plays Bach Plus. David Geringas. Ben Capps. Solitude: Baroque Cello. Michal Stahel. Mischa Maisky.

Bach: 6 Cello Suites. Carmine Miranda. Centaur Records. Colin Carr. Wigmore Hall Live. Bach: Cello Suites Nos. Ditta Rohmann. Antoine Tamestit. Bach: Suites Nos. Hopkinson Smith. Bach: Suites pour Violoncelle. Christian-Pierre La Marca. William Butt. Mary Costanza. MSR Classics. Bassic Bach. Daxun Zhang.

Classical Collection Master Series, Vol. Daniel Shafran. Entertainment Group. Bach: Suites BWV to Jean Geoffroy. Bach: 6 Suites de danses. Antonio Janigro. Doremi Records. Peter Martens. Pablo Casals. Bach: Les Six Suites pour Violoncelle. Bach: Suites pour Violoncelle 5 et 6.


Conversely, the trombone player must breathe every few bars or so, plays only mono- phonically, and requires a complex muscle development in the areas around the cheek, lips, and jaw. For exam- ple, a sautillant that is doubled in time augmented would take on the rhythm of J. Recitativo - Fantasia: Ben moderato. Will definately have to pick that up. Tanya Gabrielian. Animal Music ANI Mstislav Rostropovich. Bach: The Masterworks Various Artists.
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8 thoughts on “V. Gavotte I & II - Bach*, Edgar Meyer - Unaccompanied Cello Suites Performed On Double Bass (CD)

  1. Filename D:\Music Files\Marc's Music\Torrent uploadz\Edger Meyer\17 - Suite for Solo Cello No. 5 in C Minor - Gavotte I & fluneprefighretabperfmergupacorap.co Peak level % Track quality % Test CRC 4D38B1D2 Copy CRC 4D38B1D2 Copy OK Track 18 Filename D:\Music Files\Marc's Music\Torrent uploadz\Edger Meyer\18 - Suite for Solo Cello No. 5 in C Minor - fluneprefighretabperfmergupacorap.co Peak.
  2. The Suite in D minor is one of two minor-key suites among the six for solo cello. With this suite, Bach seems to aspire to an almost Beethovenian mixture of tragedy and defiance, all within his usual framework of strict procedures. There are six movements: a Prelude, Allemande, Courante, Sarabande, double Minuet, and Gigue.
  3. Appalachian Journey, an Album by Yo-Yo Ma, Edgar Meyer & Mark O'Connor. Released 21 March on Sony Classical (catalog no. SK ; CD). Genres: Classical Crossover, Chamber Folk.
  4. Classically trained bassist like Edgar Meyer have transposed Bach's cello suites to double bass on the critically acclaimed Bach: Unaccompanied Cello Suites Performed on Double Bass (Sony, ), but it is still an exceptional achievement. Now, Swedish bass master Christian Spering offers a different insight into the composer's timeless music.
  5. Jan 30,  · Provided to YouTube by Sony Music Entertainment Cello Suite No. 1 in G Major, BWV IV. Sarabande · Edgar Meyer · Johann Sebastian Bach Bach: Unaccompanied Cello Suites Performed on Double Bass.
  6. Cello Suite No. 6 in D major BWV Gavotte I & II (Allegro moderato).mp3 Cello Suite No. 3 in C Major, BWV fluneprefighretabperfmergupacorap.co3 Cello Suite No.3 in C major BWV - IV fluneprefighretabperfmergupacorap.co3.
  7. 1) Suite for Solo Cello No. 2 in D minor BWV I. Prelude 2) II. Allemande 3) III. Courante 4) IV. Sarabande 5) V. Menuett I ; II 6) VI. Gigue 7) Suite for Solo Cello No. 1 in G Major BWV I. Prelude 8) II. Allemande 9) III. Courante 10) IV. Sarabande 11) V. Menuett I ; II 12) VI. Gigue 13) Suite for Solo Cello No. 5 in C minor BWV.
  8. In this recording Edgar Meyer performs the Cello Suites of Bach on a double bass, which is a less radical choice than some other transcriptions, but nonetheless an interesting one. The bass provides a deeper, more substantive sound than the cello, and in this case, a surprising nimbleness of touch.

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