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Love Bites. United Artists , King , Sonopresse. September A Different Kind of Tension. May Trade Test Transmissions. All Set. Merge , Cherry Red. Flat-Pack Philosophy. Cooking Vinyl , True North. The Way. Lest We Forget. Live at the Roxy Club April ' Absolutely Free.

February Entertaining Friends. EMI , I. Encore du Pain. Live in Paris. Castle Pie. Cooking Vinyl. Singles Going Steady. Liberty , I.

Parts April Total Pop. Weird System. The Peel Sessions Album. Strange Fruit. October The Fab Four. Top critical review. Reviewed in the United Kingdom on 16 December Over 40's: Don't bother, listen to classical music instead. Sort by. Top reviews Most recent Top reviews. Filter by. All reviewers Verified purchase only All reviewers. All stars 5 star only 4 star only 3 star only 2 star only 1 star only All positive All critical All stars.

Text, image, video Image and video reviews only Text, image, video. Showing of 12 reviews. There was a problem filtering reviews right now. Please try again later. Verified Purchase. There was a problem loading the comments at the moment. Showing 0 comments. Sort by: Newest Oldest. I cannot understate the latter.

Even though The Buzzcocks had only been together for a couple of months when these tracks were taped, they were already a fairly tight musical unit with a solid selection of simple-but-catchy riffs. Because this set of demos was recorded in a single afternoon there's a uniformity to the overall sound which makes it come across more as a completed "proper" album, so in that respect it's arguably the Buzzcocks authentic debut.

At the time of this session the band were still unsigned. The line-up was slightly different to that we'd see after they joined UA Records. This gives a slightly darker and harder edge to their sound, with Devoto at times being quite manic and Rotten-esque in his style of delivery. So don't make the mistake of assuming this collection to be nothing more than an inferior example of the Pop-Punk chart-topping Buzzcocks you're used to.

It's something quite different. The Pop sensibility is in evidence here, but there's a stronger emphasis on the Punk element. And what about the quality of the music? Actually, if you wish to judge this collection of tracks on a level playing field against the Sex Pistols, you need to compare it with the Pistols own album of demo recordings, Spunk.

Half of that collection was recorded only 4 months prior to this, yet here the Buzzcocks certainly win when it comes to being the more energised and raucous of the pair. We will aim to dispatch pre-orders so that you receive them on the release date or as close to this as possible.

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Long available as a bootleg, this album includes the alternative takes of all the tracks from the Spiral Scratch EP as well as early version of tracks that later appeared on the official debut Another Music in a Different Kitchen. After a few months, Devoto left the group, expressing his dissatisfaction at the direction that punk was taking in his statement "what was once unhealthily fresh is now a clean old hat". He returned to college for a year, then formed Magazine. Pete Shelley took on the vocal duties; his high-pitched, melodic singing stood in stark contrast to the gruff pub rock vocal stylings of many punk contemporaries.

Steve Diggle switched from bass to guitar, and Garth Davies a. Garth Smith rejoined on bass. While Davies appeared on the band's first Radio 1 Peel Session, in September , his alleged unreliability led to his expulsion from the band. He later joined New York band Dirty Looks. Davies was replaced by Steve Garvey. Their first UA Buzzcocks single, " Orgasm Addict ", was a playful examination of compulsive sexuality that was and remains uncommonly bold.

The BBC refused to play the song, and the single did not sell well. Later, more ambiguous songs staked out a territory defined by Shelley's bisexuality and punk's aversion to serious examination of human sexuality. The next single, " What Do I Get? Their trademark sound was a marriage of catchy pop melodies with punk guitar energy, backed by an unusually tight and skilled rhythm section.

They advanced drastically in musical and lyrical sophistication: by the end they were quoting USA writer William S.

Burroughs "A Different Kind of Tension" , declaiming their catechism in the anthem "I Believe", and tuning in to a fantasy radio station on which their songs could be heard "Radio Nine". In , Liberty Records signed the band, and released three singles. After recording demos for a fourth album the group disbanded in , when Shelley took up a solo career.

Diggle and Maher formed Flag of Convenience , who released several singles between and Garvey formed Motivation and joined Blue Orchids , moving to New York, shortly afterwards, to continue with the first band. Maher had joined Wah! Shelley and Devoto teamed up in for the first time since , producing the album Buzzkunst , 'Kunst' being the German word for 'Art'. The album was a mix of electronic music and punk.

Proceeds went to Amnesty International. Buzzcocks have reformed several times since , featuring Shelley and Diggle with other musicians; initially with Maher and Garvey for a world tour, then briefly replacing Maher with Smiths drummer Mike Joyce. In , Tony Barber joined on bass and Phil Barker on drums. This line-up toured on one of Nirvana's last-ever tours in


The model takes into account factors including the age of a rating, whether the ratings are from verified purchasers, and factors that establish reviewer trustworthiness. Released: February Label: I. London: Guardian News and Media. Back to CD. Notes: Arranged by Tony Barber. It's something quite different. Actually, if you wish to judge this collection of tracks on a level playing field against the Sex Pistols, you need to compare it with the Pistols Album) album of demo recordings, Spunk. Re-release of the Album) demos, recorded with Devoto; complete with 'cheap' red sleeve, and slim photo booklet. The CD comes with a an interesting and well - illustrated booklet, which is worth the purchase price in itself.
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8 thoughts on “Times Up - Buzzcocks - Product (CD, Album)

  1. ***LIMITED EDITION POSTCARD SIGNED BY STEVE DIGGLE WHILE STOCKS LAST***PLEASE NOTE POSTCARD DESIGN IS THE SAME ACROSS ' DEMO ALBUM' AND 'SELL YOU EVERYTHING, 8CD BOXSET'. • DELUXE BOX SET COMPILING THE POST-REFORMATION YEARS, SPANNING THREE DECADES. • TRACKS, INCLUDING MANY NEVER BEFORE ON CD AND 29 PREVIOUSLY UNRELEASED RECORDINGS! • INCLUDES THE ENTIRE DEMO ALBUM.
  2. Singles Going Steady, a Compilation of songs by Buzzcocks. Released 17 September on I.R.S. (catalog no. SP ; Vinyl 12"). Genres: Pop Punk, Punk Rock. Featured peformers: Pete Shelley (guitar, vocals), Steve Diggle (guitar, backing vocals), John Maher (drums), Martin Rushent (producer), George Peckham (mastering), Malcolm Garrett (sleeve design), Kevin Cummins (photography), Adrian Boot.
  3. Buzzcocks Finest >>> Time's Up. 1. You Tear Me Up 2. Breakdown 3. Friends of Mine 4. Orgasm Addict 5. Boredom 6. Time's Up 7. Lester Sands (Drop in the Ocean) 8. Love Battery 9. I Can't Control Myself I Love You, You Big Dummy Don't Mess Me 'round Breakdown (bonus video, live at the Manchester Free Trade Hall).
  4. Notes: Available on I.R.S. CD of A Different Kind of Tension, in the Product Box Set and on Many Parts. Tracks remastered and re-released on August with Singles Going Steady.
  5. May 19,  · 50+ videos Play all Mix - Buzzcocks You Tear Me Up bootleg (from times up album) YouTube B'dum B'dum Buzzcocks Magazine Documentary Part 1 - Duration: dutylux 59, views.
  6. Time's Up, an Album by Buzzcocks. Released in on Document (catalog no. DCD2; CD). Genres: Punk Rock. Featured peformers: Howard Devoto (vocals), Pete Shelley (guitar), Steve Diggle (bass), John Maher (drums), Andy MacPherson (engineer).
  7. View credits, reviews, tracks and shop for the CD release of Time's Up! on Discogs. Label: Sum Records (2) - ,Mute - • Format: CD Album, Enhanced, Reissue, Remastered • Country: Brazil • Genre: Rock • Style: Punk/5(2).
  8. Even though I had all of their albums, I bought this--when it came out in in a big 12" size; now it's a CD-size--for the CD quality, and especially the added Live at the Lyceum 8 tracks and the Parts e.p/5(10).

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