Sunday 10 May Monday 11 May Tuesday 12 May Wednesday 13 May Thursday 14 May Friday 15 May Saturday 16 May Sunday 17 May Monday 18 May Tuesday 19 May Wednesday 20 May Thursday 21 May Friday 22 May Saturday 23 May Sunday 24 May Monday 25 May Tuesday 26 May Wednesday 27 May Thursday 28 May Friday 29 May Saturday 30 May Sunday 31 May Monday 1 June Tuesday 2 June Thursday 4 June Friday 5 June Saturday 6 June Sunday 7 June Monday 8 June Tuesday 9 June Monday 15 June Tuesday 16 June Wednesday 17 June Friday 19 June Saturday 20 June Sunday 21 June Monday 22 June Tuesday 23 June Wednesday 24 June Thursday 25 June Friday 26 June He left the really indulgent stuff for his solo albums.
I can complain about Virgin's rerelease policy as much as I want, but the nice thing about buying this is that I revisited an album that's been in my life for years. I first listened to this with my high school sweetheart, and I'm playing it now a week before I get married. I'm far from the first person to say that it ages well-- in fact, it sounds just as fresh now as it ever did, and there are some songs like "All of a Sudden It's Too Late " that I didn't even like until I was in my mid-twenties.
English Settlement marks the change from the jumpy live band that preceded it to the assured studio band that came after. It's all drums and wires-- with some bird-like sax honks that suit the vaguely African expanse of the sound-- but they're slowed and simplified into the two components that, to crib an image from David Toop, most resemble the human body: the nervous music of the head, and the deep, heavy music of the heart.
The skittering guitars on "English Roundabout" would have fit in their earlier work, but this time they're acoustic and softer. And the songs run longer: the killer beat at the end of "Melt the Guns" takes all the time it needs to play itself out, and "All of a Sudden" lets Partridge wring every nuance from what could be the best lyrics he's ever written, making broad statements about life and love through simple, sharp imagery. It's the only song on the album that's not about something specific: it could be a breakup song, but it turns into a lament from a young man who's just realizing that he has years of sad aggravation ahead of him.
From the first song, the album sounds more serious and self-assured than anything they'd yet recorded. Moulding's chase theme, "Runaways," opens the album with an urgency that's almost disturbing until it fades to the street anthem of "Ball and Chain.
I've always been that kind of producer. When they could not decide on a track listing, it was decided to expand the LP to two discs. Moulding explained: "The whole Swindon area seemed to be under the hammer. Thatcher had come to power a couple of years before, and everything was kind of being battered to the ground. It is based on Manfred Mann 's " " Moulding remembered that it was "like something Genesis or Queen would have done, and these were the bands that were openly mocked two years before.
The lyric idea was inspired by one of his favourite films, Jason and the Argonauts He said "this was written from a perspective where I knew I didn't want to tour. I knew I was not enjoying the treadmill. I was beginning to feel really like a prisoner. I was just trying to describe this process of traveling the world, and growing up, opening up, seeing things. Partridge's vocals were treated with slapback echo to mimic the rock and roll feeling of the Cochran song. The song features tremolo guitar, heavily-compressed drums, "buzzing morse code synthesizer" and distorted vocals, qualities not heard on the demo recorded by Moulding.
He credited Partridge with the "morse code buzzy-fly" sound and said it "d added a lot to the credibility of the song because it made the music sound funnier and gave an ambiguity to the song. You didn't know whether I was taking the piss or not. Fans erroneously assumed that the title referred to a particular roundabout in Swindon. Other tracks were produced but relegated to single B-sides.
The band chose the image since it was a strong, historic symbol of England. When they presented it to an agent from their American distributor, Epic Records , the executive responded: "It looks like a duck! If you want a horse, we'll get our artists to draw one! And it's us living here, settling here, and also the settling of viewpoints, when two people have a disagreement or a different view and they get something settled.
English Settlement was released on 12 February as the group's first double album. Partridge later cited the performance as the first time he had experienced stage fright. On 18 March, shortly before XTC were to play a sold-out, simulcast gig at Le Palace in Paris,  Partridge told a French journalist "I like to listen to music that relaxes me and stimulates me in a relaxing manner.
Because this is like owning a circus. You just want to relax. The promoters and Virgin France demanded that they stay in the country and play another gig. And I just sat in my garden like a wreck. They just operate from this completely different school of everything. Terry Chambers was such an important part of the early days and then you get like all the post-Terry Chambers drummers. There was plenty to be inspired by…My memories are of a hell of a lot of rushing around getting stuff recorded so we could get back on the road.
It was mile an hour. I had to retrace my paces to pick up on what was going on before that…and I never got to see them play live.
It was purely of records that I got into them. I just sort of let it go, it was like winding up a toy because they all had interesting things to say and they all just let the conversation go wherever it went.
I think they both started out as young musicians at the age of 19 in the year , they both got signed around the same time in or so and Paul Weller disbanded The Jam in which was about the time that Terry Chambers left XTC. So, there was a nice opportunity to look back to those years. What it was like to be in this one band and be aware of this other band or how aware he was, but also the sort of muso stuff about what drums they were using, and the sound they were making, and where the one thing influenced another and so on.
All of them have got huge admiration for XTC as musicians and as people who are good company, so it was great to hear from all of those, as well. Barry Andrews was a natural one to get involved, but by that time, he had left XTC about two or three years before we started doing this and moved on and probably had started his work with Shriekback.
If you are a musician in Swindon, Stu Rowe is somebody who will come your way because he seems to know everybody. He was able to put me in touch with Barry because Barry had been doing some mixing with him. So, then again I had a nice two-hour chat with him one sunny afternoon. After that, apart from the odd session, I played keyboards only on things I had some aesthetic control over. Despite several terrific tracks, English Settlement seems more a transitional album than anything else, although the textural sound of the album is quite remarkable, indicating the direction they would take in their post-touring incarnation.
Trending Now Week Month. Yacht Dance Andy Partridge. As a whole, XTC may not shake, rattle and roll — but they do sputter, twitch and gyrate, and sometimes that can get you through the Album) just as well. Partridge is still working out the kinks here as a singer, Jason And The Argonauts - XTC - English Settlement (Cassette his guitar would become more focused after Dave Gregory joined as the second axe. Melt the Guns. Retrieved 20 June Help Community portal Recent changes Upload file. Tuesday 23 June
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